Roaming solidarity


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Crab apples in the Community Garden

On Monday 26th October, Idid a session at the Community Garden at Tate Modern to celebrate Apple Day.

More info soon

 

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Thank you lovely apples!

Imagine a fire burning. You hear a crack and a spitting sound. This is the presence of Water. The smoke that arises and ascends is Air. The flames that penetrate the wood are Fire, and remaining after the fire burns out is ash, the Earth.

It has, been suggested that the Greek philosopher Empedocles (c490-430BC) may have simply watched a fire burn and realized that everything natural consists of four basic elements: Earth, Water, Air, and Fire.

Earth is solid like a rock. It is heavy and considered the center of everything. It draws all the other elements to it. Earth is immobile, fixed, and stable.

Water is flowing. Water fills in space, It is soft, and has no boundary within itself. Water relies on other Elements to contain it. It is heavy and condensing, but easily dispersed.

Air is fight, active and ascending. Air lifts up and can act as a vehicle for fire.

Fire is penetrative pen·e·tra·tive  
adj.
1. Tending to penetrate; penetrant.

2. Displaying keen insight; acute.

Adj. 1. penetrative , purifying, and active. Fire is represented by the stars, is light in weight and is illumination. Fire transforms.

A pond in the winter is frozen. The water is cold and constricted con·strict  
v. con·strict·ed, con·strict·ing, con·stricts

v.tr.
1. To make smaller or narrower by binding or squeezing.

2. To squeeze or compress.

3. ; the molecules are brought together and bound. It is heavy but moving under the frozen surface. This is Water. The rock and stone around the body of water is solid. It is heavy and lasting, it will hold its own form, and the form of the water in a pond. This is Earth. In the spring, the sun shines down, producing heat and fight. This is Fire. The Fire Element transforms the ice into tiny molecules of precipitation, which evaporate and ascende as Air.

// Aristotle and Plato brought fame to the concept of the Four Elements. In order to identify each Element more precisely, Aristotle developed a system of descriptive personalities considered to be the Primary Qualities of each Element. By using the sense of taste, touch, and smell, the predominate Element is more easily recognized. These qualities consist of Hot, Cold, Moist, and Dry. Each Element is made up of two qualities. In this way, there is always an opposite quality to flow into, to be transformed by. Everything is rolling in and out of each other in a state of homeostasis homeostasis

Any self-regulating process by which a biological or mechanical system maintains stability while adjusting to changing conditions. Systems in dynamic equilibrium reach a balance in which internal change continuously compensates for external change in a feedback .

The Earth is cold and dry until it rains, and the cold moist Water fills in the space of dry. The sun comes out. Hot, dry Fire pulls the moisture out of the earth, and into the Air. The hot, moist Air releases Water and once again fills in the dry, cold Earth. It is a continuous cycle, a circle of life.

Greek philosophers used this theory of transformation and mutable mu·ta·ble  
adj.
1.
a. Capable of or subject to change or alteration.

b. Prone to frequent change; inconstant: mutable weather patterns.

2.  change to explain the existence of universal life. Ever)thing natural, even the stars and galaxies, are built from the qualities and characteristics of Earth, Air, Fire, and Water. All life is dependant upon commonality. One element cannot exist without the next. Our bones are solid minerals, compost for the Earth: our bodies are 65 percent Water: our blood transports Air; and our spirit is the spark of life Spark of Life is the eighteenth episode in the of the popular American crime drama , set in Las Vegas, Nevada. Summary
Grissom, Sara and Greg work a case where a bushfire kills a man and burns a woman, who survived. , our Fire. We are microcosms playing a role in the creation of a universal macrocosm. The Four Elements consecrate con·se·crate  
tr.v. con·se·crat·ed, con·se·crat·ing, con·se·crates
1. To declare or set apart as sacred: consecrate a church.

2. Christianity
a.  everything in nature. Everything is in balance, or coming into balance. Every action has a reaction related to its primary qualities and its fundamental element. We are the Earth, we are the Air, Fire, and Water, as are the plants, the animals, the stars….

The Four Temperaments system of classification is built upon the balance of the Four Elements. The constitution of each person is recognized by build, spiritual attributes, physiological self, personality, and lifestyle. In Traditional Western Herbalism, the imbalances are found through diagnosis of the Elements and qualities within the client that are out of balance. These disparities are corrected using plant medicine or other therapies with a predominate quality opposite of that imbalance. A hot condition would call for cooling plants, a cold condition would require hot.

These Temperaments are broken down into four categories: Sanguine, Choleric chol·er·ic
adj.
1. Easily angered; bad-tempered.

2. Showing or expressing anger. . Melancholic mel·an·chol·ic
adj.
1. Affected with or being subject to melancholy.

2. Of or relating to melancholia. , and Phlegmaticphlegmatic /phleg·mat·ic/ (fleg-mat´ik) of dull and sluggish temperament.


phleg·mat·ic or phleg·mat·i·cal
adj.
1. Of or relating to phlegm.

2.
….. Click the link for more information.. Most people are a combination of two of these groups.

Sanguine is Air, Hot and Moist. Sanguine people are happy people. The season of Sanguine is spring. This is a time of renewal, rebirth and childhood. Joy is the emotion of Sanguine. These people are not fat or lean, but healthy. They like to sing and dance, and as Nicholas Culpeper puts it, ‘Loves mirth and music, and cares not what comes after.’ Sanguine imbalance may well come from overindulgences of “women and wine.’ They are typically emotional people who would sooner cry than become angry. They do not,. however, hold onto grief, and they fly on to the next plaything in life. This season of carefree living is considered the most favorable of the Four Temperaments, and is what one strives to hold onto, or to become.

Choleric is Fire, Hot and Dry.

A Choleric person is fiery. The season associated with Choleric is summer, representing youth. The reckless time of life when anything is possible. A Choleric person is usually athletic, and not tall or short. They are quick to become violent, and just as easily consoled. They are decision makers, thinking from their gut. Imbalances are predominately hot and dry. They often develop inflamed conditions, like boils and ulcers.

Melancholic is Earth, Cold and Dr)’. The season of the Melancholic temperament is Autumn, representing middle age. It is a time of change, cold and dry. A time to contemplate the past year. Depression is associated with Melancholy. Nicholas Culpeper describes Melancholic people as ‘naturally covetous cov·et·ous  
adj.
1. Excessively and culpably desirous of the possessions of another. See Synonyms at jealous.

2. Marked by extreme desire to acquire or possess: covetous of learning. , self lovers, cowards, afraid of their own shadows, fearful, careful, solitary, lumpish, (and) unsociable.’ They are usually tall and lean, and tend to hold onto anger. Imbalances are usually dry and cold, like arthritis or eczema.

Phlegmatic is Water, Cold and Moist. The season of phlegmatic is winter. All is still and frozen. Packed together and waiting. This is the season of old age. The phlegmatic person is usually overweight, and slow moving and slow-witted. They tend to stay close to home and take great pride in doing one task very well. They do not anger easily, and do not hold a grudge. Phlegmatics are prone to moist cold conditions, such as chronic upper respiratory issues

http://www.thefreelibrary.com/Traditional+western+herbalism%3a+the+energies+of+four+elements.(herbal…-a0147467102

To be posted soon.

Preparation for the walk started the night before, when Solomon and I made bread to accompany the jam.

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Kneading the dough quite late at night

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Hands hard at work

We had another massive turnout on Saturday 17th October.  We started off thinking about how we prepare for winter, from buying some thermals to doing preserves of jam and chutneys. We walked from Wyck Gardens over to Ruskin Park and stayed in the Northway Road entrance area. I’ve been scouring the park for Sloes but I haven’t found any. I’d brought some sloes with me that I’d picked near Lewes in Sussex and others on Romney Marsh in Kent. Various people tried them raw and I wish I’d taken a photo of their faces as they did. Sloes are safe to eat but they immediately dry the mouth as they are strongly astringent.  The flowers are laxative (also a diuretic, good for cystitis and rheumatism) and the fruits are ‘binding’ and full of Vitamin C.  The  small fruits are the ancestor of the plum, measure around 9 – 15mm and have an attractive blue-black tinge and greenish flesh inside.  The fruits are good for jellies and gin.

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Gathering in Ruskin Park

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Picking up horse chestnuts. Can't eat those though!

 Horse chestnuts are apparently a good remedy for varicose veins and there’s a recipe in the Grow your own drugs book for this.  Conkers are best known for their game playing potential but Conkers as a game hasn’t really made a come back. Not yet.

This lot might get into it. Conkers have such a nice, shiny, cool feel. Lovely for counting games with the under 5s.
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One for you and one for you!

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Looking at chickweed or yarrow

I haven’t got round to learning about mushrooms yet. In the meantime, here is one possible way of learning, workshops and forays around London.

 http://www.fungitobewith.org/

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Funghi in Ruskin Park

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Ancient Hawthorn trees were used as public meeting places

 We looked extensively as Hawthorn. The Bright scarlet one is Midland Hawthorn and the Duller Crimson is Hawthorn. You can eat the leaves in Spring and use the spring flowers in syrups and puddings and I’ve heard it makes an excellent wine. A delicious toast for an end of year celebration. A reminder of the spring that is round the corner.  An infusion of the flowers and leaves is a cardiac sedative, it dilates the blood vessels, lowers the blood pressure and I’ve even seen it in the Grow your own drugs as part of the ingredients for a cholesterol reducing tonic.   I’ve also read that it is not a plant to use for self-medication. If you’ve got a heart problem, get specialist help.  However, I really believe in the long term benefit from the careful and informed use of plants in your diet.

 The berries, ready from August to October are good for jellies and chutney. hawthorn chutney

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Walkers taking over Northway Road!

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A wild patch on the corner of Coldharbour and Loughborough. Too many cars to pick here though

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Nice bouncy bush of mallow, loads of plantain too

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Refreshments. The bottles of gin were to make sloe gin!

 We made ourselves at home in the Boardroom underneath Harper House and had refreshments including elderflower, mint and yarrow tea, lemon balm tea and dandelion root coffee.  We ate the bread Solomon and I made last night with apple jelly (from crab apples on the estate). Marion brought a spelt cake, delicious with a real almond kick.  We relaxed for a bit, and did some drawing.

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Boys drawing plants

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More drawing

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Everyone destalking the sloes

 Then we started making the gin. All (washed) hands to the job! Some people brought their own sterilised bottles for decanting.

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Double checking and Sorting through the sloes

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Pricking the sloes so the juices run ...

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Sterilised needles to do the job. This was a double prick technique someone devised on the day!

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The Gin goes In

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Give it a stir for good luck

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Filling up the bottles again

This is Althea who was 40 weeks pregnant, a wild food enthusiast, and gave birth to a son 3 days after the walk.  Welcome to the World! We’ll toast you both with this gin, when it’s ready, at the Christmas feast

sloe gin

Picking nettles in June

Picking nettles in June

This year I’ve been a few times to the Cossall Park Estate to help Growing Southwark with their project to encourage the community to get growing and foraging for food. This first photo was taken in June when we foraged in the Kirkdale Nature garden and mapped it for food.

Mezza Luna to chop nettle finely

Mezza Luna to chop nettle finely

And we kept the nettle theme for our nettle burgers for the Feast on October 3rd.

Mixing the nettles in with vegeburger mix

Mixing the nettles in with vegeburger mix

 We mixed the nettles in with a vege burger mix. It’s possible to make burgers just from wild leafs too … mallow (heaps of protein), yarrow, lime tree leaf, nettles, dandelion leaf. Just avoid dog walking areas and by the side of a road. Parks are the best places because they haven’t had Victorian lead pipes leaking into their soil from previous buildings there.

Nettle burgers ready for the barbecue

Nettle burgers ready for the barbecue

 We patted and shaped and firmed and squidged. Ready for the barbecue!

Jerk sauce competition
Jerk sauce competition

We thought Jerk sauce might go well with the Vege burgers so we had a little competition. Kids from the Estate made the large pot on the right a week before the Feast and it was voted the best. This sauce is called CHK (Cossall Healthy Kids) Steve, local resident and drummer/singer in the band made the one on the left so well done Steve for making it into a competition! 

 

Dehusking sweetcorn

Dehusking sweetcorn

One of the the Growing Southwark volunteers, Rochelle, mentioned how Corn silk, the silky cotton type thread that you pull out from inside the husk is good for tea and is good for the kidneys. We made a flask of this tea and it was very nice. Very sweetcorn-like. The taste was strong and as I like all thing sweetcorn, especially ice cream and juice, this was one for me. Good tip!
Feasting tables

Feasting tables

 There were tables to eat at and gather today.

Walworth road bees and honey

Walworth road bees and honey

And these bees are from a Walworth Road apiary. Cool! 

Organic apples for the taking or the pressing

Organic apples for the taking or the pressing

Apple press

Apple press

 Fresh juice was available all day. You had to press it first though.

Ready to eat!

Ready to eat!

 Jacket potatoes, vegeburgers, barbecued sweetcorn, pies, salads. All the food was vegetarian and most was vegan. No one complained.

Sarah and the salads

Sarah and the salads

 Sarah from Growing Southwark demonstrating apron fashion.

Preparing the crumble topping

Preparing the crumble topping

 Karen was fantastic preparing the crumble, completely on the spur of the moment.

Plums harvested in Autumn

Plums harvested in Autumn

 I’d visited Cossall in August and was delighted to find all these delicious purple plums in the nature garden. I collected, stewed and froze them for the feast.

Crumble and cream - it was delicious!

Crumble and cream - it was delicious!

 It looked and tasted great!

Josh singing It's a Wonderful World

Josh singing It's a Wonderful World

 Josh had been on the walk in June and turned up to sing It’s a wonderful world. Very Louis Armstrong style!

Washing up in front of the band

Washing up in front of the band

And we washed up in front of the band. No more being banished to the kitchen!

Canada’s Tar Sands are the dirtiest source of oil in the world. Extracting oil from these sludgy deposits in the heart of ancient forests produces three to five times as much greenhouse gas as conventional oil. Until recently, using Tar Sands was not considered economically viable even by big industrial polluters. But now BP, along with others, is undertaking the unthinkable, extracting oil for profit at the expense of the climate and the environment upon which Alberta’s indigenous communities depend for survival.

At Climate Camp 2009, representatives of Canada’s First nations told us about the devastating effects on people’s health  (arsenic and heavy metals in essential food supply, contamination of  ground water, terrifyingly high rates of cancer in a population with traditionally low rates) and a scarred landscape which is SACRED to these people.

Dirty oil rears its ugly head outside National Portrait Gallery funded by BP

Dirty oil rears its ugly head outside National Portrait Gallery funded by BP

Today, Tuesday 1st September, a huge gathering of around 400 people came together to express their anger at the National Portrait Gallery (sponsored by BP), the Canadian Embassy (for constantly ignoring indigenous people’s rights and not signing up to the UN declaration of Indigenous people’s rights) and the BP headquarters on St James’ Square (the new big player in the region). BP will decide in the next 6 months if they will move into the land they have acquired to jointly exploit with Husky Energy. Pressure on BP now will have a signification impact. We need to stop Tar Sands oil extraction as if our life depended on it, because many people’s lives do.

http://news.bbc.co.uk/1/hi/uk/8232522.stm (report on the protest)

Outside Canada House, oil extraction is killing people

Outside Canada House, oil extraction is killing people

If you’ve ever felt sorrow and anguish at the extermination of vast proportions of the indigenous peoples of the Americas, now’s your chance to do something useful!

The campaign to stop BP investing more heavily in tar sands will kick off now and needs an intense effort and lots of solidarity from people like you. Contact Jess below and keep your ear out for what you can do.

First Nation representative Heather speaking outside Canada House

First Nation representative Heather speaking outside Canada House

Scarring the landscape irreversibly

Tar Sands (or ‘oil sands’) are a particular type of oily soil. The oil is found in the ground in the form of bitumen, which is solid at normal temperatures and mixed in with sand, clay and water.  It is extracted in 2 ways:

Open pit mining: this strips away the trees from the top layers of the earth to expose the bitumen beneath it. Two tonnes of bitumen-rich material are extracted for every one barrel of oil produced. This process destroys the local environment and eco systems, leaving gaping open pit mines 75 metres deep, turning once pristine stretches of forest into desolate, post-apocalyptic landscapes and producing toxic pollution.

High pressure steam injection or in situ mining: This requires injecting the bitumen with high pressure steam to separate the oil from the sand so that it can be piped to the surface. Heating the water to produce the steam requires large quantities of natural gas. Enough natual gas is used every day to heat 3.2 million Canadian homes for a year.

Bitumen is a lumpy, oil derivative. Oil flows, this stuff doesn’t. It has been traditionally used to patch canoes. In other words, it is oil in embryo form. It has to be artificially ‘aged’ to make into oil by processing, adding about 100 million years to it!

“This is the proof that peak oil exists. They’re doing this because there’s no other oil left.” McDonald http://en.wikipedia.org/wiki/Peak_oil

Poisoning precious water

Water is needed  in huge amounts in Tar Sands. It takes up to 5 litres of water to produce one litre of usable petrol. This water is being diverted from rivers, lakes, farms and cities throughout Canada. Much of the water used in Tar Sands production ends up in toxic ‘tailings ponds’  so vast they are visible from space. These ponds leak toxic waste into local water supplies.

“I worry every day I have to give my 2 year old son water from the tap.” Lionel Lepine, Athabasca Chipewyan First Nation

Companies working in the area bring in bottled water for their employees to drink, which shows how dirty and lethal even they consider this water to be. As these companies don’t have a good record on workers’ rights and are ruthlessly hiring and firing, bringing in workers from China and the Philipines under the Temporary Foreign Worker Program, who are denied the rights of citizenship.

Recent history of the Tar Sands

It was only in 1967 that Suncor began commercial production in the Tar Sands, followed a few years later by Syncrude. Then in 2003, the year the war in Iraq started, oil producers started diving in headlong as the price of oil peaked at US$70 per barrel whereas Tar Sands barrels were being sold at US$40.  In the words of McDonald, a researcher based in Edmunton, Alberta, and visitor to UK and Climate Camp with the First Nations representatives and collaborator in their struggle, “the investment in the area starting from 2003 made the gold rush look tame in comparison”. What is happening in Northern Alberta is the second largest rate of deforestation after the Amazon, in an area which is larger than England and roughly the size of Florida.

British companies, funding and causing destruction

Shell are already up to their eye balls in this oil. They have invested 30% of their operations into the Tar Sands. They’ve already decided that Tar Sands is their future.

BP is a relatively new player in the region. In 2007, they formed a partnership with Husky Energy (who part own Superdrug) to create the Sunrise Project, a large in situ )high pressure steam injection) extraction project in the Athabasca region.  BP are paving the way for huge investment but they’re yet to commit heavily. As James Marriot from the arts and social and environmental justice organisation, Platform put it in a talk at Climate Camp 2009 http://www.carbonweb.org/ It’s like they’ve bought the house but they haven’t yet decided to move in.

British banks RBS, HSBC and Barclays are heavily behind this project, committing pension funds and investment funds in it. Every British pension fund has a big stake in Tar Sands. Since the UK government’s massive bailout of RBS in 2008, they are now using taxpayer’s money to finance the most destructive project on the planet.

2010 Winter Olympics are destroying native lands too

2010 Winter Olympics are destroying native lands too

more info:

http://www.ienearth.org/

http://www.carbonweb.org/

http://artnotoil.org.uk/

”British companies are killing us”: Indigenous campaigners join Climate Camp to launch anti-Tar Sands action in the UK

For interviews and further information contact Jess Worth on 07946645726 or jessworth(at)riseup.net or Clayton Thomas-Muller, Indigenous Environmental Network, (001) 218 760 6632 or monsterredlight(at)gmail.com

On Saturday 15th August, 21 adults and 5 children walked from Wyck Gardens on Loughborough road, by Woolley House, to Loughborough Park, then back to the wild and wonderful herb garden between Loughborough and Angell Town estates.

Gathering at Wyck Gardens

Gathering at Wyck Gardens

 Ceri Buck introduced the project and outlined the history to Invisible Food, as a project that researched an approach to play and different play types, and how the idea behind Invisible Food was to create an autonomous space in which the daily demands of time and business were ruptured by contact with nature , through conversation and with the task of the game, which was to identify and where possible, gather wild food.

Long line of walkers; crossing Coldharbour Lane

Long line of walkers; crossing Coldharbour Lane

Invisible Food has evolved and grown from intimate walks with one other people to small group walks and now to larger group walks, but the focus on conversation and sharing knowledge and learning is the same. As Meg Wheatley writes, “Conversation is the way humans think together”.
Picking the blackest mulberries,

Picking the blackest mulberries,

As well as conversation, and an opportunity to get to know neighbours and people in the community, Invisible Food is also about awareness of the miles food travels to get onto supermarket shelves, and the packaging it consumes to get there and be bought from there. The mulberry is a fruit which defies consumerism as it disintegrates in your hands when picked and needs to be eaten straight from the tree.  The berry will stain your fingers and the juice will run up your arm as you reach up to pick it, but crushing leaves and rubbing them on red hands will get rid of most of the colour. 
Invisible Food is not just about salvaging English traditions of food, it’s about all cultures and communities’ traditions of food. And especially about similarities between cultures and their use of herbs or food.  It’s about a connection to the land which can develop whether you were born here or not.   
Nibbling on yarrow, learning that clover is used in curry in Pakistan

Nibbling on yarrow, learning that clover is used in curry in Pakistan

 In Loughborough Park, as well as the beautiful mulberry tree there is a mound with an elder tree surrounded by nettles. The elder is in the berry stage now and good for jellies, chutneys, cordials and even ink! Between the elder and the mulberry tree is a stretch of grass full of yarrow, ribwort plantain ( a natural anti-histimine and good for insect bites), clover leaves and dandelion.

Elder, hand and sky

Elder, hand and sky

Picking, holding, smelling, tasting, listening

Picking, holding, smelling, tasting, listening

Back on the Loughborough Estate, the walking group walked further into Wyck Gardens, the 1950s blocks above our heads. Blackberries are hidden in the borders, and the wild spaces are full of yarrow, nettles, dandelion, mallow. There’s a rowan tree at the entrance to the gardens but this year it hasn’t berried and last year, it did have berries but they didn’t look good.

Tower block, couple and yarrow

Tower block, couple and yarrow

We took the path heading North from Wyck Gardens, after looking at all the mugwort that was used in former times to smoke, or for strong dreams , place some under the pillow. We moved onto the herb garden between Loughborough and Angell Town estates. A marvellous open space, the herb garden itself, overgrown. its treasures almost hidden, a rampant curry plant. But there’s plenty of sage, rosemary, mint and lemon balm for everyone.

Collecting mint for tea

Collecting mint for tea

We gathered mint, lemon balm, sage, thyme, rosemary, washed them and boiled up some water in the storm kettle to accompany the jams (mulberry & apples 2008, blackberry & apple 2009) and oat cakes.

Feeding the fire with sticks the two boys collected

Feeding the fire with sticks the two boys collected

So we had a little picnic sharing the food we had gathered and relaxing on the grass. Sharing food is one way of breaking down cultural barriers.  Sharing food is what friends do together.

One of the Invisible Food Cafe hot flasks

One of the Invisible Food Cafe hot flasks

 Didn’t come on this one? Come on the next one.

First in the queue for jam

First in the queue for jam

 

And come again, if you did come!  See you on the 19th September for more berry harvesting. The hawthorns will be fully out then.

Haven’t got so excited by a poet as much as this one for a while…

 

 

Adnan+Stephen will be reading again on the 30th August 2009 at 7:30pm at the TORRIANO HOUSE 99 Torriano Avenue, 5 minutes walk from Kentish Town tube station.

 

In The Garden Of The Unknown Soldier

 

 

 

The soldier who that morning forgot

to shave his hair

and was punished for it by his Sergeant,

the soldier left fallen in the dust of battle,

the beautiful soldier, with his thick beard

that got to grow

little by little

until – after ten years – it was a forest

of tangled bush,

such that nightingales sang in his branches

and children always played on his swings

and lovers came closer in his shade

…………

……………….

That soldier …

who grew into a park for the whole town,

what if that day he’d shaven his head …

 

 

Amman 28th September 1993

(Here it in Arabic here) http://www.adnanalsayegh.com/eng/index.asp?DO=AUDIO

 

Born in Al-Kufa (Iraq) in 1955, Adnan al-Sayegh is one of the most original voices from the generation of Iraqi poets known as the Eighties Movement. His poetry, crafted with elegance, and sharp as an arrowhead, carries an intense passion for freedom love and beauty. Adnan uses his words as a weapon to denounce the devastation of war and the horrors of dictatorship.

In 1993 his uncompromising criticism of oppression and injustice led to his exile in Jordan and the Lebanon. After being sentenced to death in Iraq in 1996, because of the publication of Uruk’s Anthem, a long poem in which he gives voice to the profound despair of the Iraqi experience- he took refuge in Sweden. Since 2004 he lives in London.

In the Spring of 2006, Adnan al-Sayegh read his poems at the third Al-Marbed Poetry Festival in Basra, Iraq. The poems upset the intolerant armed militia and al-Sayegh was threatened with death and with having his tongue cut out. He was forced to leave Basra in haste and through Kuwait to return to his exile in London.

Adnan is a member of the Iraqi and Arab Writers Unions, the Iraqi and Arab Journalists Unions, the International Journalist Organization, the Swedish Writers Union and the Swedish Pen Club.

He has received several international awards; among them, the Hellman – Hammet International Poetry Award (New York 1996), the Rotterdam International Poetry Award (1997) and the Swedish Writers Association Award (2005), and has been invited to read his poems in many festivals across the world.

at the Arcola Theatre, Saturday 25th July 2009

a company of women, swans, peace, eternity, preening, loving, circles of water

Water music

then the acro beasts invade “Boring! We want a a fight! Fight! Fight! Can you fight?!”

Drums

Feathers fly

War cry

The Opera Moon Song

The violin, the heart, the cygnet

 

An original idea and directed by Carmel Morrissey.

Performers are Carmel, Alexia, Lida, Renata, Ceri, Lauren, Ruth, Momboya, Hannah, Helen, and costumes and design by Leanne

Women Making History:

an intergenerational conference led by London women

Saturday July 11th 2009 1.30 – 4.45pm

at the Museum of London Docklands, Quayside Room, 3rd Floor

a one day participatory conference led by London women from different communities and generations looking at what women in London have lost and gained over the past 50 years and what we need to create momentum to change

  • featuring films from the Women Making History 2008 and 2009 projects,

  • a discussion led by participants from 2008 and 2009

  • the Women’s library,

  • poetry performance from Dorothea Smartt,

  • presentation from Remembering Olive Collective,

  • badges

  • zines

For further information please contact Lynda Agard, Community Access Officer at the Museum of London lagard@museumoflondon.org.uk 020 78145775 or Ceri Buck on cezzab@yahoo.com or 07963 446605

Getting to the Museum of London Docklands

Museum of London Docklands
West India Quay, Canary Wharf
London E14 4AL

 By DLR: West India Quay
 By Tube: Canary Wharf
 By Bus: D3, D7, D8, 277, N50, D6, 15, 115, 135

There is no entrance fee to the museum for conference participants

About the participants

Golden Oldies

The Golden Oldies is a group for elders of Caribbean origin. They’ve been meeting on the Walworth Road, South London for around 13 years. They do a variety of activities, keep fit, healthy living, African drumming, Black history month activities, and share a meal together. They often go on trips out all over London, and abroad.

 

Shravika Satsang Mandal

The Shravika Satsang Mandal group from the Wembley area in North West London is a collective of Asian women of East African origin who meet weekly to practice yoga, reflexology, share food and spiritual and reflective literature together. The women provide support for each other to face the day-to-day problems of settling and living in Britain. It was founded by Vilasgauri Dhanani in 1973 whose aim has always been to use a holistic approach to life and health to empower Asian women.

Young women from the Sir John Cass Foundation & Red Coats School

The above two groups have been meeting, discussing and creating work with various young women studying English and Media at the Sir John Cass Foundation & Red Coats School on Stepney Way, East London

 

Remembering Olive Collective

Olive Morris was a key figure in Lambeth’s local history. She worked with the Black Panther movement; set up Brixton Black Women’s Group, was a founder member of The Organisation of Women of Asian and African Descent (OWAAD) and was central to the squatter campaigns of the 1970s. She died tragically young in 1979 at age 27.

The aim of Remembering Olive Collective (ROC) is to create public memories of Olive Morris, bringing together the personal testimonies of those who knew her, and publishing online information and materials relating to her life and work. ROC is currently working on an extensive oral history project and researching in archives and in October 2009 will be launching a public collection at Lambeth Archives focused on Olive Morris life and her times.

www.rememberolivemorris.wordpress.com

Dorothea Smartt

Dorothea Smartt, is of Barbadian (aka Bajan) heritage. Dubbed ‘Brit-born Bajan international’ [Kamau Brathwaithe], her work receives critical attention in Britain, Europe, the Caribbean, and the USA. She is acknowledged as tackling multi-layered cultural myths and the real life experiences of Black women with searing honesty. She was Brixton Market’s first Poet-in-Residence, and a former Attached Live Artist at London’s Institute of Contemporary Arts. Her evocative and spirited voice “coils up your feelings, around granite chips of truth… unwinds solace, in the most soothing volleys” [Caribbean Times]. Described as “accessible & dynamic”, her work was recently selected to promote the best of contemporary writing in Europe today.

www.britbornbajan.com

The Women’s Library

The Women’s Library exists to document and explore women’s lives in Britain in the past, present and future, and houses the most extensive resource for women’s history in the UK.

It was originally established in 1926, as the Library of the London Society for Women’s Service, the successor of the London women’s suffrage organisation led by Millicent Fawcett.

The current exhibition at the Library is Between the Covers: Women’s Magazines and their Readers. The reading room houses collections which cover a variety of topics, such as women’s rights, suffrage, sexuality, health, education, employment, reproductive rights, the family, and the home. The emphasis is primarily on women in Britain, but some international material is included. Entrance to the library and reading rooms is free.

 

The Women’s Library has collaborated with the Museum of London on the Women Making History project in 2008 and 2009.

www.londonmet.ac.uk/thewomenslibrary

 

Banners and screen printing: Tell them the giraffe snot joke

Banners and screen printing: Tell them the giraffe snot joke

 

An exhibition of artwork created by young people in Lambeth with a range of innovative pieces to celebrate Refugee Week.

Make them feel 'Mire Se Erdhet'!

Make them feel 'Mire Se Erdhet'!

The pieces that Ceri Buck worked on include banners of messages of welcome to new arrivals to our classroom with Ashmole Primary school year 4.

Someone to go to the park with

Someone to go to the park with

A new arrival needs someone to go to the park with to feel welcome.

People need to know the giraffe snot joke to feel welcome in our school.

30 tiny pieces of art and text by Heathbrook Primary school year 3

30 tiny pieces of art and text by Heathbrook Primary school year 3

Year 3 at Heathbrook school drew miniatures with a caption of how they would welcome a new arrival.

Colourful miniatures by Heathbrook Primary school Year 3

Colourful miniatures by Heathbrook Primary school Year 3

 

New arrivals need to know that spaghetti isn’t yellow worms! They need to go to Lyme Regis to feel welcome. They need to know where the library and to be introduced to your friends!

Welcome in many languages: including Tigrinha & Chinese

Welcome in many languages: including Tigrinha & Chinese

 

Welcome in many languages: including Portuguese, Persian and Czech

Welcome in many languages: including Portuguese, Persian and Czech

 

Welcome in many languages: including Greek & Spanish

Welcome in many languages: including Greek & Spanish

And with new arrivals themselves at Olive School. we created tiles of welcome in different languages and miniatures of drawings exploring human rights imagery.

The tiles and 'Someone to play 'it' with' banner

The tiles and 'Someone to play 'it' with' banner

 

Recipe for Life at Ashmole and Heathbrook Primary Schools and the Olive School

Recipe for Life was a commission for young artists in schools, a series of workshops in schools and it culminated in a two and a half week showing at the Oval House Theatre Cafe Gallery to celebrate Refugee Week. All artwork produced explored the themes of what you, and what everyone needs for a good life in this country. What is your “Recipe for Life”? And this overall theme reflected Refugee Week’s Simple Acts campaign which aimed to raise awareness of what you can do to make life better for refugees and everyone else around you.

My role in Recipe for Life was to devise a workshop at Ashmole Primary School, Heathbrook Primary School and the Olive School to explore the issues and to create pieces of art which involved text in visual, sculptural and spatial ways. I worked together with Salih who runs drama workshops with Refugee Youth at Oval House, and who himself is a young refugee from Sudan.

We started workshops in the Primary Schools with a very brief introduction to the day and to Refugee Week and then we did some drama warm ups so that even though we were in their everyday classroom, there was a different kind of energy buzzing through the children and in the room. Salih and I then facilitated ‘How can you help me?’ role plays. One of us would mime a situation in which we were struggling and the children had to guess for themselves what our difficulty was, volunteer to intervene in the role play and remedy the situation. All without speaking. We mimed struggling with heavy shopping, falling over and injuring an ankle and being lost in a city and trying to find the way to the post office when you don’t speak English. There was obviously more than one possibility for each situation and scope for children to interpret and intervene in the scene in ways that reflected their own personalities.

We then trundled in a trolley – a suitcase on wheels – full of objects that were clues about what everyone needs for a good life; emotional needs (a photo of family), physical needs (a blanket, a plate and spoon), cultural and expressive needs (a musical CD, a paintbrush, a pen), the need for play and relaxation, (a toy, a book), the need to learn and communicate (a dictionary, a phone). The trolley itself was an implicit symbol of a life on the move, journeys, being in transit, living out of a suitcase.

Then it was time for the children to start creating something out of these ideas for themselves. They worked in small groups on a large piece of paper and created a mind map of what they could do to help a new arrival settle in their school (Let her join in, Stand up for him, Introduce her to your friends, Show them the books in the library, Play them your favourite CD, and brilliant quirky insights such as, Explain what spaghetti is in case they think it’s yellow worms and Take them to Lyme Regis). These simple acts were keyholes into the children’s world, into what’s really important to them, as well as how they would like to be welcomed.

Ashmole School created banners with the text of their welcome actions, so we had MAKE THEM FEEL MIRË SE ERDHET (we’d looked at a poster of the word ‘Welcome’ in all the different languages that are spoken in Lambeth, one group took a shine to this welcome in Albanian), YOU NEED SOMEONE TO GO TO THE PARK WITH, and YOU NEED TO KNOW THE GIRAFFE SNOT JOKE (which is, just so you know, ‘What’s green and hangs on a tree in a zoo? Giraffe snot’). This activity was challenging and multi-layered; it involved choosing the exact words to create into a banner, counting the letters, deciding who would make which letters, deciding what colour scheme to use for the cards, drawing letters on a large scale on newspaper to fill an A5 card, cutting out letters, arranging and gluing letters, and checking and adding letters missed out. Any length of space in the classroom became a place to lay out the arrangement, bits of newspaper were flying around the room, letters got all mixed up. We finished bang on time, not a minute before, and I was impressed with the children’s dedication to the task and how they managed working in groups.

Heathbrook School created miniatures of welcome action and colourful drawings, which were assembled together into a panel of 30 miniatures. The brief for the children was to not leave any space blank, they had to cover the 8cm x 8cm square in colour. The children unleashed their intricate and eye-catching drawing and design talent and skills. The panel was much admired during the exhibition and Heathbrook students came to see it for themselves.

With the Olive School, we worked slightly differently. The group of young people we worked with were new arrivals themselves, most only having been here for a couple of weeks or months. The drama warmers were crucial in moving beyond the slightly-frosty-and-I’m-still-checking-this-out-teenage reserve. The trolley activity was excellent for introducing or reinforcing vocabulary with real objects. We skipped the role play with this group. We spent more time looking at human rights imagery and expressions and the young people drew their own text and image symbol of human rights (and I showed the Heathbrook miniatures as an inspiration for a bold use of colour). We spent the afternoon painting words of welcome in different languages on tiles, exploring a new medium and the effect of paint on the tiles. The Olive School students and their teacher came to the Private view and saw their work on display.

I came away from the project very inspired by the creativity and talent of the students and much appreciative of the support that the teachers had given. I always try to establish a dynamic of trusting support with the students and teacher in the first few activities in each new classroom that I visit. These are my simple acts to make life better for everyone around me.

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